The most significant fact is that the temple is oriented towards the west. Symbolically, west is the direction of death, which once led a large number of scholars to conclude that Angkor Wat must have existed primarily as a tomb. This idea was supported by the fact that the magnificent bas-reliefs of the temple were designed to be viewed in an anticlockwise direction, a practice that has precedents in ancient Hindu funerary rites. Vishnu, however, is also frequently associated with the west, and it is now commonly accepted that Angkor Wat most likely served both as a temple and as a mausoleum for Suryavarman II. Angkor Wat is famous for its beguiling apsaras (heavenly nymphs).
The Archaeological Survey of India carried out restoration work on the temple between 1986 and 1992. Many of unique apsaras were damaged during Indian efforts to clean the temples with chemicals during the 1980s, the ultimate bad acid trip, but they are now being restored by the teams with the German Apsara Conservation Project.
Since the 1990s, Angkor Wat has seen continued conservation efforts and a massive increase in tourism. The temple is part of the Angkor World Heritage Site, established in 1992, which has provided some funding and has encouraged the Cambodian government to protect the site.
Angkor Wat is the prime example of the classical style of Khmer architecture—the Angkor Wat style - to which it has given its name. By the 12th century Khmer architects had become skilled and confident in the use of sandstone (rather than brick or laterite) as the main building material. Most of the visible areas are of sandstone blocks, while laterite was used for the outer wall and for hidden structural parts. The sandstone blocks from which Angkor Wat was built were quarried more than 50km away (from the holy mountain of Phnom Kulen) and floated down the Siem Reap River on rafts. The logistics of such an operation are mind-blowing, consuming the labour of thousands – an unbelievable feat given the lack of cranes and trucks that we take for granted in contemporary construction projects. According to inscriptions, the construction of Angkor Wat involved 300,000 workers and 6000 elephants, yet it was still not fully completed.
Architectural Layout Angkor Wat is surrounded by a 190m-wide moat, which forms a giant rectangle measuring 1.5km by 1.3km. The rectangular outer wall, which measures 1025m by 800m, has a gate on each side, but the main entrance, a 235m-wide porch richly decorated with carvings and sculptures, is on the western side. There is a statue of Vishnu, 3.25m in height and hewn from a single block of sandstone, located in the right-hand tower. Vishnu’s eight arms hold a mace, a spear, a disc, a conch and other items. You may also see locks of hair lying about. These are offerings both from young people preparing to get married and from pilgrims giving thanks for their good fortune.
An avenue, 475m long and 9.5m wide and lined with naga balustrades, leads from the main entrance to the central temple, passing between two graceful libraries (restored by a Japanese team) and then two pools, the northern one a popular spot from which to watch the sun rise.
The central temple complex consists of three storeys, each made of laterite, which enclose a square surrounded by intricately interlinked galleries. The corners of the second and third storeys are marked by towers, each topped with symbolic lotus-bud towers. Rising 31m above the third level and 55m above the ground is the central tower, which gives the whole grand ensemble its sublime unity. The stairs to the upper level are immensely steep, because reaching the kingdom of the gods was no easy task. Also known as Bakan, the upper level of Angkor Wat was closed to visitors for several years, but it is once again open to a limited number per day with a timed queuing system. This means it is once again possible to complete the pilgrimage with an ascent to the summit: savour the cooling breeze, take in the extensive views and then find yourself a quiet corner in which to contemplate the symmetry and symbolism of this Everest of temples.